With winter storm warnings blinking on my computer tool bar and anticipated temperatures hovering below zero all day, it seemed the perfect time to wear my first ever fulled wool mittens.
The timeline from knitting to fulling to wearing spans nearly a decade. These mittens were knit between February – March 2013 during a course at a local fabric store no longer in business. But the class only provided the pattern and a knitting circle on two evenings. I took my new project home and worried about how to actually create the thick mittens without ruining my work. I finally deduced that whether I ruined the mittens during the hot water agitated washing or if they simply continued to sit at the bottom of a wicker yarn basket, they were equally unwearable. A Covid Finishing Fest hosted by Northfield Yarns in May 2020 gave me the impetus to watch several how-to videos and violà mittens! Not needed with springtime temps, I tucked them away to be forgotten, thought lost, then found, and worn today for the first time.
Happy winter solstice!
Note: The distinction between fulling and felting is one of timing. In the textile world, felting is a done with fibers, not with woven cloth while fulling describes the act of wet finishing the woven cloth or knitted item with water, temperature and agitation.
Not everything is simply knit and purl stitches. Sometimes the fiber arts includes a field trip with friends on a rainy spring day.
After reading Vanishing Fleece: Adventures in American Wool by Clara Parkes, I had an ever so slight understanding of the intricate transformation required to place a skein in my hand. Yesterday’s visit to Rach-Al-Paca Fiber Processing in Hastings moved Parkes’s words from paper into real life. Our exploration began in the barn where I handfed corralled alpacas (no spitting allowed.) We ooh-ed and aah-ed at the herd of goats and kids and then moved into the plant for a discussion of practical tasks like washing, before viewing the mechanical processes of carding, spinning and plying (all requiring lots of math, as well as physics.) We did eventually reach the shop where, yes, we bought yarn.
And, our fiber adventure was only half-begun as after lunch we visited MUSE2320 Fiber Co. and met Sara, an entrepreneurial color artist extraordinaire with ties to northern Wisconsin. Even though she was in the midst of dyeing hundreds of special order skeins following last week’s Minnesota Yarn Shop Hop, we chatted about color, yarn, the river, and the naming of her shop: muse – a source of inspiration and 2,320 – the approximate length of the Mississippi River. I am enamored of the MUSE2320 palate. This shop will definitely become a regular source of beautiful yarn.
Just in time to tackle a spring mystery knit-along (MKAL) with Marie Greene and to learn brioche with members of the Zumbro River Fiber Artists Guild’s Knitting Group, my WIP (Work-in-Progress) count has been reduced by three on this Finished Object Friday (FOF). The deep heather blue scarf and muted lavender shawelette have yet to find homes but the vibrant yellow sweater will be gifted to a great niece or nephew arriving in May. (Shhhh! It is still a secret for the mom and dad-to-be.)
The small Gansey sweater, designed by Marie Greene, incorporates a cabled yoke for bit of decoration on the practical pullover knit using an easy to care for cotton, nylon, rayon, and silk blend. Knit in a size 2-4, my new great-great niece or nephew will have something to grow into and, hopefully, will have many days of warm wear.
The blue wool scarf is another of Marie’s designs. Reminiscent of barrel staves and trellised grape plants, the French Oak pattern reveals off-center cables traveling the length of the scarf like grape vines. And, I am starting out a new year with another Hitchhiker, perfect for a special person knit in 100% rustic silk with Czech glass beads decorating each tip. This is Hitchhiker #23 in my collection of hand-knit gifts.
With spring-like temperatures, the need for wool beanies greatly diminishes although, since this is Minnesota, the weather can quickly snap from balmy to blustery. In a December Year of Projects post, I reported the forthcoming Selwyn Beanie was in my project queue. While I waited for the pattern drop from designer Marie Greene, my early winter evening TV knitting was the matching cowl, dubbed Selwyn Petit as it was a smaller (cables only) version of the original Selwyn knit in heather gray. The Petit cowl and beanie uses a vibrant sunflower heather yarn from Kelbourne Woolens. Good for shooing away the winter blues. With cowls and beanies complete, now the challenge is determining the lucky recipients.