Last summer while slogging through Covid quarantine days, Marie Greene and her amazing Olive Knits team organized, on short notice, a fun-filled virtual retreat that was so successful so as to necessitate a sequel. I count myself lucky to have landed a “seat” again this year for Knit Camp at the Coast. For three days, September 16-18, I will join 100s of knitting enthusiasts in 16 unique sessions where we will learn new techniques from a cadre of talented guest instructors. The class itinerary offers an old nemesis – socks, but also an exclusive pattern with a newly designed stitch and yoga breaks to ease muscles feeling the strain of feverish knitting. Plus, although well out of my comfort zone but intriguing will be the workshop offered by Heather Best from sew happy jane – Not Your Average Kool-Aid Dye Party. Who knew, all those decades ago when drinking that sugary summer staple (cherry was my favorite) or slurping ice cube popsicles, that the sweet food dye filling the glass would be perfect for “creating gorgeous custom colors for hand-dyed yarns.” Happy Knitting!
With spring-like temperatures, the need for wool beanies greatly diminishes although, since this is Minnesota, the weather can quickly snap from balmy to blustery. In a December Year of Projects post, I reported the forthcoming Selwyn Beanie was in my project queue. While I waited for the pattern drop from designer Marie Greene, my early winter evening TV knitting was the matching cowl, dubbed Selwyn Petit as it was a smaller (cables only) version of the original Selwyn knit in heather gray. The Petit cowl and beanie uses a vibrant sunflower heather yarn from Kelbourne Woolens. Good for shooing away the winter blues. With cowls and beanies complete, now the challenge is determining the lucky recipients.
I don’t remember ever buying anything with a bobble. My pre-retirement wardrobe was chosen to set a professional tone, nothing frilly. Bobbles, while proportionally smaller, were like pompoms, to be avoided. Even when knitting for others, not a single hat is topped with a fuzzy ball. And yet…I harbored a secret attraction to the funny little nibs of texture.
Two of my three Building Block Shawls included a 12×12 inch square with rows of bobbles framed by lacy yarn overs. Ever since I completed those squares in October 2013, I have wondered what project might lead me back to that bit of whimsy. Visions of earlier eras, although definitely not simpler times; Bletchley Circle heroines in hand knit sweaters with intricate cables and bobbles.
Intended as easy to pack warmth against the chilly Faroe Islands air where, as the travel literature warns, visitors can experience all four seasons with related precipitation on a given day, my Cable Bobble Hat & Cowl nudged me toward the capricious. Enough so that I succumbed to Knit Camp eyecandy and joined the January Workshop KAL (knit-along). As Fiadh (an Irish name meaning wild) grows on my needles, a controlled tangle of cables is being revealed and, yes, bobbles too.
While my Ravelry project page certainly records sweaters, specifically nine before 2020, sweaters were not my go-to knitting project. The amount of work and time required coupled with horror tales of projects gone wrong with elephantine results kept me working on lots of shawls and scarves. Items where gauge and size were less crucial. Then I found Marie Greene and her 4-day sweater challenge. Admittedly, my Foxtrot took over two months to complete but I was so pleased with the results that I selected another of Marie’s patterns, Houghton, to knit a sweater for Mom using a lush English merino-mohair blend. Then, thinking ahead to fall travels (in pre-Covid times) I knit the same cardigan for myself using the same yarn in the same color and even the same buttons. This became the first of my 2020 sweaters. Soundtrack, another 4-day challenge completed in 22-days, was sweater #2.
Now, just off the needles and the blocking squares is Happy Hour. Designed around the pre-Covid memory of outings with friends for happy hour, the sweater includes a colorwork yoke with a 3 PM, 4 PM or 5 PM pattern repeat, as well as a fanciful repeat on each sleeve. I opted for three pattern repeat with a nod to an early toast at the end of the work day.
In this very strange year when daily wear is almost exclusively comfy casual clothes with only an infrequent ZOOM meeting to show off three new sweaters I have transformed 4,397 yards into three sweaters all within 41 weeks. My far flung Knit Camp buddies have offered encouragement and instruction making it all happen, as well as another 18 smaller projects for family, friends, and fundraising service auctions. Happy knitting!
Fox Socks Box Knox Knox in box. Fox in socks.
After my toe-up Ruisseau Socks, I swore off knitting this particular clothes item. Too fussy. All that work to complete just one and, of course, one is not enough so you are done but not done. Then the September Knit Camp project was (you guessed it) SOCKS. So, ever the practical person (after all why pay for classes and then skip them) I tackled another pair. Designed by Marie Greene and dubbed Milkshake Socks because this is “An old-fashion recipe for plain socks that you can shake up with your choice of colorful yarns. … Think of your yarn choice like adding flavor to your milkshake.”
Gauge for Ruisseau required US #1 needles. My first time working with something that small and my sock learning experience was to continue as Milkshake necessitated a #0 based on my tension and this yarn. To get a sense of size – pull out a ruler with metric measurements. A #1 needle is 2.25mm in diameter and the #0 a fraction smaller at 2mm.
New socks. Two socks. Whose socks? Sue’s socks. Who sews whose socks? Sue sews Sue’s socks.
No new yarn was purchased for this project as I did a stash dive for this orange-turquoise-gray self-striping skein called Enceladus (one of Saturn’s ice moons). The color combo was unique to Northfield Yarns and purchased during the 2015 YarnVenture shop hop. At the time I had yet to knit a pair of socks or even add them to my project queue. I picked up the exclusive hand dyed skein solely because as it was featured by what I now dub my local yarn store (LYS).
With my Milkshake Socks complete, I think I may really be done with socks – – – Thank you Dr. Suess and Fox in Socks [or not!]
After years of attending library conferences that were defined by long days, lots of sessions, vendor meetings, networking and tasty meals shared with colleagues, as well as visiting unique locations – Wrigley Field, Independence Hall, or walking the Golden Gate Bridge, I am experiencing conference life – Covid style.
Just this month, I participated in restful meditations while knitting my Repos Hat with Solène Le Roux, a French knitting artist whose work I love. Her Zoom and Facebook Live sessions featured daily themed meditations in French and English, as well as stitch instruction that complimented her most recent five part mystery knit-along (KAL). (French to English translation: repos – rest)
After those quiet days, I joined the exuberant Marie Greene and her Olive Knit team for the inaugural beach and camp themed Knit Camp at the Coast. I joined hundreds and hundreds of knitters from around the world. (Although, I was in a couple of breakout groups with people from Carver, Rochester and Zumbrota, Minnesota – small world!) I learned new techniques for socks and stranded knitting which I can incorporate into current projects on my needles, tackled my first Brioche sample (that is going to take a lot more practice) and even took restful breaks led by Yoga for Knotted Knitters – great for my tense shoulders.
My comfort level with traveling in this time of Covid is very low (non-existent actually) so while I hope to join others in real places for future workshops and tours, the virtual learning and crafting opportunities are just right for 2020. Happy knitting!
When you begin knitting and, even after years of experience, there is a dread of dropped stitches unraveling your hard work. After a decade of projects (145 complete or in-progress currently listed on my Ravelry page) I am finally comfortable picking up dropped stockinette stitches or correcting a mistake in knit-n-purl ribbing. However, the intricate subtleties of stitch structure still elude me and, if the mistake occurs in a well-loved cable project or (heaven forbid) on lace work, I frog back. So you can imagine my trepidation when the August theme for Knit Camp was: Streeking.
Not familiar with that word? Neither was I. The primary definition of this transitive verb is to stretch or to extend, coming from 12th century Middle English, chiefly Scotland. As a modern day knitting technique, steeking is a multi-step process that involves preparing, cutting, and finishing the streeked item. And yes, I did say “cutting” as in taking a sharp scissors to a perfectly good item and cutting something knit in the round and making it flat. Right?!? And I wanted to do this why?
Having committed to a fun year of Knit Camp with Marie Greene and approximately 1,000 other intrepid knitters, I thought why pay for classes and then skip the work. So I knit the Soundtrack Cowl, a variation on my Soundtrack Sweater, crocheted two steeked columns, added extra back-stitched reinforcement since my HiKoo Sueño is superwash, cut a specifically planned purl column (yikes!), added a decorative binding on each side to seal the raw edges, picked up left and right side stitches to add a Knit 2 – Purl 2 ribbed button band and, finally, added eight remainder buttons. While I am satisfied with the finished project, I am pretty sure streeking will not become my new go-to knitting technique.
Who knew it could be done, a sweater knit in 4-days? Well, Marie Greene for one. While I did not make an actually four-day finish line, I did complete my version of Soundtrack in less time than allowed for the 2020 knit-along (KAL), July 1-31. The pattern officially dropped on July 1 for the thousands participating in this KAL but as a Knit Camp camper I had 24-hour advance availability. With yarn purchased from my local yarn store (LYS) Northfield Yarn and my swatch meeting gauge in hand, I cast-on on June 30 and completed my second sleeve on July 21. My final progress report with ends woven in and sweater off the blocking squares was posted on July 28. Soundtrack is a top-down sweater with rows of colorwork representing LP record grooves, hence the name. My progress reports incorporated some of my favorite albums in keeping with the KAL theme.