It is not often I admit to feeling “stuck” while knitting. My list of frogged projects is surprisingly small as only two have moved from my needles back into balls of yarn and into the realm of never more. Three colorwork projects have drifted lower on my queue awaiting more research on stranded knitting and five are hibernating with yarn purchased just needing time to start.
While cast on with great gusto in January, my Fiadhsweater is still mid-sleeve with front band and pockets yet to be started. I am oh so close but so not done. The only other time I remember feeling this stuck was my first (and to-date only) felted project. The pre-fulled mittens made it off my needles. As the pattern directed, the mitts were much larger than any hand (unless the hand belonged to an MMA fighter) but I was intimidated by the wet felting process, so they sat for seven years. But my sweater delays cannot be blamed on a lack of technique. I have the stitches covered.
I keep trying to analyze how my January enthusiasm for the interlocking cables and framed bobbles waned. At first, I attributed my glacial-like progress to the spring temps and the urge to get herbs into the backdoor pots. That my Fiadh sleeves were stuck mid-bicep, then at the elbow and now just before the cuff because I was gardening rather than knitting seemed a valid rationale. But not really. I was not gardening after dark and I was knitting every night and even during the day if there was a Cubs baseball game or Formula 1 free practice, qualifying, or race to watch. Just not working on this sweater.
I finally realized I deeply associate Fiadh with the many months of our social distanced, masked quarantine. Previously in awe of intricate Aran designs, the COVID lockdown gave me license to tackle something big and beautiful. My “stuck-ness“ may be a visual example of my own version of re-entry anxiety; that somehow the completion of this sweater and my re-entry are linked even though I know I control when and how I choose to re-engage.
The revised Re-Gathering Guidelines for church begin with this practical yet inspiring statement. And, when applied to my everyday life, these words remind me to treat myself kindly and help re-infuse my enthusiasm for Fiadh cables and bobbles.
With care for each other’s health – body, mind and spirit – we will move into new phases gradually while valuing inclusion, science, flexibility, and grace.
I started the year with only a few projects in my queue knowing my January – February (and now my March – May) focus would be Fiadh, an Aran sweater designed by Marie Greene. I made steady progress on the body, sometimes even falling into the zen-like rhythm of swirling Celtic cables and the occasional well-placed bobble but somehow got stymied and landed on “sleeve island”, a place where I am not usually marooned. But, with Cubs baseball airing on Marquee TV, I am once again progressing steadily — 24 rows last night as the Cubs swept the Mets.
For weeks, Fiadh was my day-time knit. My evening projects necessitated a little less focus although offered enough variations to keep the design interesting but not so complicated so as to make reading subtitles impossible. The Spiced Ginger and Berry Patch shawls are also Marie’s designs and included in her book, Knit Shawls and Wraps in 1 Week. With blocking complete, my Year of Projects list has two additions.
With spring-like temperatures, the need for wool beanies greatly diminishes although, since this is Minnesota, the weather can quickly snap from balmy to blustery. In a December Year of Projects post, I reported the forthcoming Selwyn Beanie was in my project queue. While I waited for the pattern drop from designer Marie Greene, my early winter evening TV knitting was the matching cowl, dubbed Selwyn Petit as it was a smaller (cables only) version of the original Selwyn knit in heather gray. The Petit cowl and beanie uses a vibrant sunflower heather yarn from Kelbourne Woolens. Good for shooing away the winter blues. With cowls and beanies complete, now the challenge is determining the lucky recipients.
I don’t remember ever buying anything with a bobble. My pre-retirement wardrobe was chosen to set a professional tone, nothing frilly. Bobbles, while proportionally smaller, were like pompoms, to be avoided. Even when knitting for others, not a single hat is topped with a fuzzy ball. And yet…I harbored a secret attraction to the funny little nibs of texture.
Two of my three Building Block Shawls included a 12×12 inch square with rows of bobbles framed by lacy yarn overs. Ever since I completed those squares in October 2013, I have wondered what project might lead me back to that bit of whimsy. Visions of earlier eras, although definitely not simpler times; Bletchley Circle heroines in hand knit sweaters with intricate cables and bobbles.
Intended as easy to pack warmth against the chilly Faroe Islands air where, as the travel literature warns, visitors can experience all four seasons with related precipitation on a given day, my Cable Bobble Hat & Cowlnudged me toward the capricious. Enough so that I succumbed to Knit Camp eyecandy and joined the January Workshop KAL (knit-along). As Fiadh (an Irish name meaning wild) grows on my needles, a controlled tangle of cables is being revealed and, yes, bobbles too.
At the beginning of this holiday month, I joined the Ravelry group, A Year of Projects, mid-way through its July – June year. After years of managing an organization with a fiscal year of those same months, work that included lots of grant applications to secure Federal and state funds, I had planned to treat December as just another month and, once again, do the real work in June. But we all know 2020 has been anything but normal and I have been inspired by my fellow writers’ December summaries. Here is an update on that earlier list:
I frogged the first Hortensia Mitt back to the cuff as I did not like the long strands of yarn on the inside which will surely catch. These await time and more practice with locked floats.
After a yarn delay, my Project Peace 2020 KAL shawl is 12 rows from completion. Currently at 455 stitches (having started with three), each row takes considerable time (made less tedious by a good audio book) as I work towards a final stitch count of 483. Still with a goal to complete in December.
A second delayed shipment stalled my work on the River of Dreams bedrunner but that is underway again and an easy knit during evening TV viewing, sometimes even with subtitles.
I did complete one project in December, the Knit Camp cowl, Selwyn! There is a forthcoming pattern for a hat-to-match which will make a very nice set.
I am deep into swatching and measuring for a new sweater, Fiadh, which the pre-release notes describe as “A textured Irish Aran cardigan with cables, double moss stitch and a shawl collar.” The pattern drops on Monday, January 4 and, unlike earlier projects, my authentic heather gray Donegal Tweed yarn is already in hand. The teases reveal an intricate cable design incorporating four different styles covering the sweater’s front panels, back and sleeves, plus decorative bobbles bordering the ribbed button band. Happy New Year and happy knitting!
During the hazy days of August, The Directors – a library loving, book reading, wine drinking group of retired friends, discussed the practicality (or lack thereof) of fingerless mittens. And, eureka – a winter gift idea was born. Just as autumn arrived, I cast on the first of five pairs of mitts with colors and fibers selected for each recipient from my stash. The Mitty pattern includes three repetitive rib rows so I propped up my iPad with enlarged font and read Elizabeth Hunter’s Elemental Mysteries while knitting. Although I did have to pay close attention on the fourth mock cable row. With today’s official arrival of meteorological Winter, each friend has a pair with which to experiment or re-gift.
A recent review of my Ravelry project page confirms what I already knew – – I like cables. River Cowl was finished just today and features a subtle cable pattern that draws the eye from top to bottom.
While 1/1 cables usually are not my favorite construction element (I prefer a more robust design), I was intrigued by the subtle shifting of just one stitch either to the front or the back used to create the River Cowl. I discovered pattern designer, Tamara Moot, and I share a love of Dr. Who and River Song (the inspiration of this design) is a favorite character for both of us. Moot shares:
These elegant yet simple cables evoke River Song with the added bonus that the stitch pattern closely resembles the symbol for water or river found in the Southwest desert petroglyphs.
Cables are created by knitting groups of stitches out of order. Stitches held in the back result in a right leaning twisted column and, if held to the front, the twist will lean to the left. The larger the number of stitches shifted, the larger the fold in the resulting fabric.
Each of my three Building Block Shawls (2013-2014) had at least two squares or panels with cables. Churchmouse’s Following Seas Cabled Scarf and Reversible Cable Scarf have been go-to patterns for me. Between these two, I have gifted a combo of seven scarves. All the while knitting a creative collection of cabled cowls, hats, fingerless mitts, two sweaters and even a pair of mystery knit-a-long socks.
My project queue holds an intricate Celtic Cable scarf and a shawl that incorporates a beautiful Irish Saxon Braid border. So many patterns, much yarn, so little time…