Just in time to tackle a spring mystery knit-along (MKAL) with Marie Greene and to learn brioche with members of the Zumbro River Fiber Artists Guild’s Knitting Group, my WIP (Work-in-Progress) count has been reduced by three on this Finished Object Friday (FOF). The deep heather blue scarf and muted lavender shawelette have yet to find homes but the vibrant yellow sweater will be gifted to a great niece or nephew arriving in May. (Shhhh! It is still a secret for the mom and dad-to-be.)
The small Gansey sweater, designed by Marie Greene, incorporates a cabled yoke for bit of decoration on the practical pullover knit using an easy to care for cotton, nylon, rayon, and silk blend. Knit in a size 2-4, my new great-great niece or nephew will have something to grow into and, hopefully, will have many days of warm wear.
The blue wool scarf is another of Marie’s designs. Reminiscent of barrel staves and trellised grape plants, the French Oak pattern reveals off-center cables traveling the length of the scarf like grape vines. And, I am starting out a new year with another Hitchhiker, perfect for a special person knit in 100% rustic silk with Czech glass beads decorating each tip. This is Hitchhiker #23 in my collection of hand-knit gifts.
In keeping with the theme of #FOFriday – finished object Friday – I am showing off my finished Vivifrom the January/February sweater knit-along (KAL) with Marie Greene. Based on progress postings and Zoom meeting reports, hundreds of other knitters enjoyed this project as much as I did.
This January Workshop KAL is the fourth of Marie’s annual offerings – something new for the New Year. Through her integrated curriculum, this community-based project allows knitters to explore the fiber arts from a faraway place; a virtual vacation each year. During the two month KAL, Marie offered technical lessons on topics such as shoulder construction, provided historical background on Danish “night” sweaters, and even shared scrumptious traditional pastry recipes – Yumm!
The KAL officially launched January 1 although Knit Campers (that’s me) were awarded an early pattern release by a few days. On December 30, I casted on 292 stitches of worsted Berroco Ultra Wool in Chili Red to start this bottom-up construction and I worked my last bind off cuff stitch on February 26. Squishy soft after blocking and plenty warm for chilly spring days.
I tend to be a monogamous knitter, that is one big project on the needles at a time, but this winter was different. As our world contended with yet another Covid variant and surging infection rates, I stayed home knitting and reading. (Are there any better cold weather tasks?) I alternated between my red Knit Camp knit-along (KAL) sweater, Vivi, and a gray gansey afghan.
The Cambridge English Dictionary defines gansey as “a thick, knitted sweater made of yarn, of a type originally worn by fishermen; synonym – guernsey.”
Originating over 400 years ago on the Channel Islands, traditional ganseys were tightly knit for warmth and as a resistant barrier against cold sea winds and salty sprays. Stitch patterns were inspired by everyday objects aboard ship – lines (ropes), ladders, and nets. My afghan incorporates repeats of garter ribbing, double moss, and diamond brocade stitches on either side of a diagonal chevron zigzag pattern; when put together with Berroco Vintage Chunky (for ease of washing) the result is snuggly warm.
PS – If you are looking for a romantic, period piece with a good story which also depicts the isolation of island life, check out The Guernsey Literary and Potato Peel Pie Society.
Among the nearly 1.1 million patterns inventoried on Ravelry, Martina Behm’s Hitchhiker is the most popular and it is one of my favorites as well. Since casting on my first version of this asymmetrical scarf / shawlette in June 2016, I’ve completed 21 projects – the most recent just off my needles. I’ve kept and wear only one, all the others have been shared as gifts or fundraising donations.
Hitchhiker is the perfect design to showcase a single skein of fingering weight yarn and can be easily adapted by adding intermittent lace rows or bead embellishments. The knitter begins by casting on just three stitches, increasing one stitch each row, decreasing five stitches every eight rows to create the zigzag steps and simply knitting until all (or nearly all) the yarn is used. The yarn’s textures and colors take center stage, although the saw-tooth border along one edge offers a unique sculptural effect.
With the perfect yardage, Hitchhiker will deliver 42 points on the saw-tooth edge, Martina’s homage to The Hitchhiker‘s Guide to the Galaxy in which the reader learns that the answer to the “Ultimate Question of Life, the Universe, and Everything” is simply 42. But not to worry, should the yarn run out before reaching the mythical number, the end result will still be perfect.
Double, double toil and trouble; Fire burn and cauldron bubble.
Throughout the week, we tackled a colorway a day. My original plan was to set up a temporary dye studio in the garage with a borrowed Coleman camp stove as my heat source. But that was me worrying unnecessarily about Kool-Aid spills and stains on the parquet floor. Dyeing in the garage required far too much extra work to move cars, assemble a work surface, and collect tools and supplies each day since the Audi Q5 and VW GTI would need to be parked back under cover at night. Our final production line was in the kitchen with water, heat, and tools all close at hand.
During Knit Camp at the Coast, Heather Best from sew happy jane promised to “turn some pretty skeins into some Pretty Amazing skeins.” While we carefully mixed our Kool-Aid combos and watched the pot (to make sure it didn’t boil) our skeins of bare merino DK yarn artfully shifted from au naturel to subtle hues. As a readily available foodstuff, in a multitude of flavors (which translated into colors) the Kool-Aid packets provided easy to mix, manageable quantities that already contained citric acid, thus they eliminated the need to add chemicals possibly less friendly to the environment. One by one, each skein went through a multi-step immersion process:
(Speckle & steam – just sometimes.)
Two days into our routine, with Kool-Aid Sage twisted into a loose hank and Speckled Peach Melba steeping, I made a discovery – dyeing would not become my new passion. As the work continued, we had fun creating the lovely semi-solid fibers, as well as sprinkling contrasting specks. By skein five, I even concocted my own colorway – Tutti Teal (a variation of Heather’s Tutti Fruiti). But I am comfortable knowing my excitement comes from the craft of knitting – finding the perfect yarn, pairing it with the ideal pattern, and creating just the right gift while, hopefully, learning a new technique rather than playing with pigments.
When I first started buying yarn, facing a wall of color in different weights and textures was a bit overwhelming. Now, I can easily spend an hour or more immersed in tactile and visual sensations enjoying whatever my local yarn store (LYS) has on display. While, possessing only the most rudimentary understanding of yarn production, I already recognized that a lot of work went into each skein in my hand. That appreciation has grown exponentially with this micro-dyeing project. But hand dyeing, to paraphrase the witches in Macbeth, at least for me, is akin to “double, double toil and trouble; fire burn and cauldron bubble.” Although, in the interest of full disclosure, my fire and cauldron consisted of a white LG glass top stove and a Marshall Field Marketplace stainless steel stock pot. Then again, one does have to wonder what colors might emerge if, instead of Kool-Aid, the pot contained any of the natural ingredients from my high school drama role as Second Witch.
Fillet of a fenny snake,
In the cauldron boil and bake;
Eye of newt and toe of frog,
Wool of bat and tongue of dog,
Adder's fork and blind-worm's sting,
Lizard's leg and owlet's wing,
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
Macbeth, Act 4, Scene 1
Released early during our pandemic lockdown, Christina Campbell’s Metanoia Wrap artfully achieves its goal of blending simple garter stitches with classic lace to create a meditative experience while knitting. Ever the teacher, she offers a translation for the Greek title:
‘Meta’ means life and ‘Noia’ is change … A knitted journey during a tumultuous time as our way of life changes.
Calling for two contrasting skeins of yarn, each half of the scarf mirrors the other with rippling color. The repetitive lace segments appear different from each other but this is only an illusion since they match row-for-row. The Boca Chica colorways in rich blue Hurricane and subtle flecked aqua Seaglass artfully capture the vibrant hues of the Florida Keys for which these limited hand-dyed skeins are named.
It has been years since I twirled sparklers in the warm dark of a summer night at the lakeshore but I almost wish I had some handy to celebrate the completion of my new Fireworks sweater.
With needles poised at the ready, hordes of knitters cast on as soon as Marie Greene’s latest 4-Day knit-along (KAL) pattern dropped on July 1. Working simultaneously on the same project with 1000s of others, mostly in the U.S. but also scattered worldwide, is a unique experience. And the new Knit Camp app enabled regular progress reports from fellow “Campers” as near as Zumbrota and as far away as Yokosuka, Japan.
Fireworks marked Marie’s fifth annual sweater marathon which she describes as “A celebration of life, friendship, and new beginnings. The unique firework stitches in this design cascade down the yoke like streams of light in the night’s sky.” While I never intended to race to completion in 96 hours, I am proud to report that cast on to bind off took just 33 days. My beautiful Fireworks is off the blocking squares, photographed, the subject of this blog post and now neatly folded away just waiting for our Minnesota weather to cool (which it definitely will!)
There is something oh so satisfying when a project is laid out on the blocking squares. And, I can claim double the fun (just like double mint gum) having finished Fiadh, my January-February sweater knit-along (KAL), and my friend’s Halley within just days of each other.
Fiadh is a dense Aran sweater with swirling Celtic cables and funky bobbles designed by Marie Greene and knit using Kelbourne Woolens Lucky Tweed in medium gray with white and black flecks for a very classy look. After some self-psychoanalysis to discover the why behind being stuck on sleeve island, I hunkered down and finished the cabled sleeves, picked up 338 stitches for the ribbed front band, shawl collar, and added the vibrant orange hidden pockets. All just in time for 100 degree days, a very unusual meteorological phenomenon for June in Minnesota.
Designed by Martina Behm, another of my go-to designers, Halley incorporates a lacy zigzag reminiscent of Halley’s Comet, as well as stars and meteorites crisscrossing the night sky. Knit using HiKoo Popcycle, an environmentally conscientious blend of 50% bamboo rayon and 50% polyester from recycled plastic bottles.
Knitting, reading and a bit of writing have been my primary activities during our pandemic lockdown. As we slowly emerge fully vaccinated from home into public spaces my COVID project inventory totals 35 between March 2020 to June 2021 with Halley and Fiadh being projects #34 and #35, respectively. Quite an assortment of productivity including three sweaters, seven hats, seven shawls, two pairs of socks, nine cowls, six pairs of mittens (fingerless included) and one cabled, reversible scarf. Swatching for Fireworks is complete but I am waiting for the pattern release on July 1 before beginning Marie Greene’s fifth annual 4-Day Sweater KAL. And so I find myself in an unusual state of affairs with nothing on my needles. Time for a quick delve into the project queue.
I started the year with only a few projects in my queue knowing my January – February (and now my March – May) focus would be Fiadh, an Aran sweater designed by Marie Greene. I made steady progress on the body, sometimes even falling into the zen-like rhythm of swirling Celtic cables and the occasional well-placed bobble but somehow got stymied and landed on “sleeve island”, a place where I am not usually marooned. But, with Cubs baseball airing on Marquee TV, I am once again progressing steadily — 24 rows last night as the Cubs swept the Mets.
For weeks, Fiadh was my day-time knit. My evening projects necessitated a little less focus although offered enough variations to keep the design interesting but not so complicated so as to make reading subtitles impossible. The Spiced Ginger and Berry Patch shawls are also Marie’s designs and included in her book, Knit Shawls and Wraps in 1 Week. With blocking complete, my Year of Projects list has two additions.
With spring-like temperatures, the need for wool beanies greatly diminishes although, since this is Minnesota, the weather can quickly snap from balmy to blustery. In a December Year of Projects post, I reported the forthcoming Selwyn Beanie was in my project queue. While I waited for the pattern drop from designer Marie Greene, my early winter evening TV knitting was the matching cowl, dubbed Selwyn Petit as it was a smaller (cables only) version of the original Selwyn knit in heather gray. The Petit cowl and beanie uses a vibrant sunflower heather yarn from Kelbourne Woolens. Good for shooing away the winter blues. With cowls and beanies complete, now the challenge is determining the lucky recipients.